The Gentle Barbarian, Turgenev Essay Example

The Gentle Barbarian, Turgenev Essay Example The Gentle Barbarian, Turgenev Essay The Gentle Barbarian, Turgenev Essay In 1870s Turgenev was referred to in Europe as the directing Russian author, however he was far to not be known to the huge open in Europe or America. In 1877 he has gotten world well known after the distribution of Virgin Soil, his longest and most yearning novel. In one month after the distribution, fifty-two youngsters were captured in Russia on allegations of progressive scheme. This occurrence the general population in America and France was shaken. Its impact on American perusers was so gigantic: as incredible, in its way, as the impact of Uncle Toms Cabin had been. For Turgenev the novel was one more endeavor to give the Russian circumstance separation, or more all he looked to show to his faultfinders that he had not put some distance between the more youthful age.; (V. S. Pritchett). A few years back the British author and pundit V.S. Pritchett asked: What is it that pulls in us to the Russian authors of the nineteenth century? What Pritchett was voicing was the undeniable t ruth that the Russian authors contact and move us with quickness, a feeling of newness and essentialness that we don't generally discover in Western writing in the nineteenth and twentieth hundreds of years. Turgenev makes moving books that portray life in Russia. We react to Russian scholars, as we commonly don't to most Anglo-Saxon essayists. Turgenev brings out such a solid a feeling of reality that perusers with no specific enthusiasm for writing acknowledge without capability his vision of life. Some conditional responses to Pritchetts question may give us some comprehension of why such a large amount of the critical writing of this century has neglected to connect with our most profound feelings, our most significant feeling of life. One of the most clear attributes of Russian fiction in the nineteenth century is the shocking manner by which characters talk about themselves as well as other people. In his book on Turgenev, The Gentle Barbarian, Pritchett composes: It is the id ea of Dostoevskys virtuoso to

Hypothetical Case Study Childhood Sexual Abuse Social Work Essays

Speculative Case Study Childhood Sexual Abuse Social Work Essays Speculative Case Study Childhood Sexual Abuse Social Work Essay Speculative Case Study Childhood Sexual Abuse Social Work Essay what's more, guilty party centered points of view.. Finkelhor clarifies four specifications that must be included for sexual abuse to take topographic point, factors associated with the maltreaters power to explicitly abuse ; factors bring oning the maltreater to show signs of improvement of inward deterrents ; factors bring oning the maltreater to show signs of improvement of outside inhibitors and components bring oning to improve of the child s restriction Modalities of mediation In mediation modes, whereby the main end in sexual abuse intercession is to cover with the effects of sexual abuse, and decrease the risks of future sexual abuse. Treatment Issues for the Victim that will hold to be gone to be are ; Trust whereby ; there are devastate toing consequences for kids s relationship, especially having the option to swear o individuals. In family unit sexual abuse, the outcome is more awful as in the case of Melissa since her stepfather, who ought to be her protector, accomplishments and damages the limits of adequate qualities. A non-insulting guardian like Melissa s female parent who could non trust her stomach muscle initio quickens this mischief. The healer is required to set up fortunes where the child has positive commitment with sure adults so as to amend the child s capacity to swear. Passionate Reactions to Sexual Abuse whereby the child encountering being exploited in that she feels as though she is mindful and begins encountering blameworthy, holding a disrupted feeling of sense of self and low self-pride due to being associated with sexual abuse. The healer is required to help the child comprehend and acknowledge that she was non dependable what's more cause her to feel great again about herself. Insurance from future exploitation Insurance from Future Victimization whereby the mishandled kid requests encouraged in the future security plans. The child ought to be instructed to express no and express a trusty individual might be utile. Treatment Issues for the Mother Treatment Issues for the Mother exceptionally in examples influencing the female guardians in interfamilial as in Asher s case. Much the same as the casualty Melissa her female parent will require to experience intercession in a few nations, for example, nations associated with Sexual Abuse It is hard for female guardians of casualties, to grok why a grown-up may travel sexual with a child. This is an issue that the clinician should go to with the female parent. The healer can offer proficient record into the reasons for abuse specific to the occasion. Another issue to be tended to accepting the child s disclosure of the sexual abuse. The healer can explain causes her to accept that the child is expressing reality or reason that children do non do bogus claims on such issues. At long last the healer will help the female parent understand her obligation in the abuse, in the event that she had 1. She is non to blame yet in some way may hold played a segment to drawn-out abuse as in the example of Melissa and Asher for non trusting her abdominal muscle initio Bettering the mother-kid relationship is other than extremely of import since it is an of import measure in helping the female parent to be defensive of her child in future. In the occasion of intrafamilial abuse like Melissa s occurrence, the female parent should make up ones brain on the off chance that she needs to remove her relationship with the maltreater or ointment her relationship. Individual issues, for example, past injury as holding been explicitly mishandled herself which is the case of Melissa. Such an encounter has grouped effects in on the female parent s capacity to cover with her child s abuse. The female parent might be non being in a spot to get by in light of the fact that she has non managed her ain sexual abuse. Henceforth her abuse must be tended to as in the case of Asher. She may non gather unsafe situation quickly and her conclusions of life partners, playing segment in going in with a grown-up male who goes sexual with kids. Consequently in choice, youth sexual abuse is an extremely delicate issue that must be managed to maintain a strategic distance from future obliteration of the children s lives Notice Finkelhor, D. ( 1986 ) . The Effects of Sexual Abuse, in D. Finkelhor et al. , Eds. Sourcebook on Child Sexual Abuse Newbury Park, CA: Sage.

Foreign Exchange Essay Example | Topics and Well Written Essays - 500 words

Outside Exchange - Essay Example Taking a gander at Table ll.1(Foreign Exchange Quotations, p.5) I see that the Monday 1-month forward for the Japanese yen, utilizing the Direct Quote, is $0.009048 contrasted with the spot pace of .009035. The 3-month forward is .009074 and the half year forward is .009124. This implies the Japanese cash is relied upon to continuously value during this period. The circuitous statement section (Japanese cash determined in US dollar terms) affirms the normal pattern, indicating that bit by bit it will require more dollars to pay for a fixed measure of Japanese yen. I utilize the spot rate when I need the money right away. I go to a loaning establishment or a bank to mastermind a forward trade contract when I have to secure the estimation of the US dollar against the likelihood that the Japanese yen will ascend in esteem (acknowledge), and it would expect me to go through more cash to buy an item valued or designated in that money. In this specific case, on the off chance that I need to buy Y100,000 now, at the pace of $0.009035 per yen, the sum I need to pay will be $903.50, which is gotten by duplicating these two numbers. Since the 1-month forward rate is $0.009048, the measure of our agreement with the bank will be $904.80, which is higher by $1.30. A month from now, I will get from the bank Y100,000 at this cost. I can either purchase Y100,000 now at the spot showcase cost at the pace of 1 Yen = $0.009035 and hold the money until a month from now when I have to utilize it for installment, or I can orchestrate a forward agreement which, at $0.009048, is $1.30 higher. The forward agreement will secure me on the off chance that the Japanese yen increases in value. For instance, if the Japanese yen, in spite of market desires, ascends to $0.009200 (or, on the other hand, $1 = 108.70, got by processing its corresponding - i.e., 1/.009200), I should pay $920.00 every month from now †or $16.50 higher - on the grounds that I didn't support my situation by utilizing the forward agreement. This is moreover

African-American Urbanity From Langston Hughes to Nas - Literature Essay Samples

Specifically from a literary perspective, the Harlem Renaissance—also known as the New Negro Movement—is often held up as one of the most artistically prolific, localized movements in Western literature, producing writers such as Gwendolyn Bennett, Nella Larsen, Esther Popel, and Jean Toomer. No Harlem Renaissance writer has received as much recognition and adulation as Langston Hughes, though, a poet, novelist, playwright, and essayist who is now firmly entrenched in the Western literary canon. While Hughes had a unique poetic style—he favored short lyric poems with simple, concrete images that often featured deceptively optimistic rhyme schemes; his voice was unmistakably his—the subject matters and themes he chose to write about were just as distinctive. Through his poetry, Hughes unflinchingly examined the African-American condition in the first half of the twentieth century: landlords mistreated their tenants, dreams were crushed by the weight of inst itutional racism, Western history—that usually focused on the â€Å"victories† and â€Å"successes† of white men—was reexamined questioned; most importantly, his poetry was embedded with a love and celebration for African-American culture. This latter characteristic was shared amongst his contemporaries and successors. According to Joanne V. Gabbin, â€Å"African American poetry is the aesthetic chronicle of a race, as Gwendolyn Brooks expresses it, struggling to lift ‘its face all unashamed’ in an alien land† (Gabbin, â€Å"Furious Flower: African American Poetry, an Overview†). Those successors are far and varied: as Hughes’s legacy continues to live on, his influence has grown and stretched across mediums. In fact, the tenets of his poetry can be found in another predominantly African-American art form—hip-hop. In the 2015 N.W.A. biopic Straight Outta Compton, Ice Cube—the primary lyricist of the rap grou p—replies with a Hughesian retort when a reporter disparages the violent content of his music: â€Å"Our art is a reflection of our reality† (Gray, Straight Outta Compton). Like Hughes, many rappers write specifically and exclusively about the African-American experience; hip-hop has often been viewed as a heavily memoiristic art form—the personal becomes political. No rapper better exemplifies this stance than Nasir Jones—widely known simply as â€Å"Nas†Ã¢â‚¬â€the Queens, New York native who released his seminal 1994 debut album, Illmatic, when he was only twenty years old. Like Hughes, Nas has a keen observational eye, one that understands the cruelties of the world but still, occasionally, sees life through a lens of hope and optimism. The two New Yorkers were born almost seventy-five years apart, yet their work traces similar themes. Ultimately, in the grand scheme of things, Hughes and Nas write about the same topics: the marginalization and mass disenfranchisement of the black voice and body by white-dominated power structures. Because of its status as a popular art form, hip-hop is often dismissed as vulgar or obscene, without any critical or scholarly merit. This is untrue, especially considering the fact that hip-hop directly follows in the footsteps of Harlem Renaissance writers and members of the Black Arts Movement, such as Amiri Baraka, Larry Neal, and Maya Angelou. As such, it is easy to draw comparisons: according to Fran L. Lassiter, â€Å"During the Harlem Renaissance, writers attempted to perfect what Bernard W. Bell describes as ‘a dual responsibility: to their race and to their craft’ (2004: 98)† (Lassiter, â€Å"From Toasts to Rap†). This dual responsibility is evident in hip-hop, and it is present throughout Nas’s catalogue: he calls himself â€Å"King Poetic† on â€Å"Halftime,† and raps, â€Å"You know [I] got the mad fat fluid when [I] rhyme†; similarly, on â€Å"It Ain’t Hard to Tell,† he raps, â€Å"Vocabulary spills , I’m ill† (Nas, â€Å"Halftime†; Nas, â€Å"It Ain’t Hard to Tell†). Throughout his oeuvre, Nas displays a consciousness of his ability and a deep respect for his craft. As such, it is with authority and legitimacy when P. Khalil Saucier and Tryon P. Woods assert that, â€Å"hip hop [is] no more or less compelling as a topic of study or pedagogy than any other moment or cultural product in black history† (Saucier Woods, â€Å"Hip Hop Studies in Black). The cultural omnivorousness of hip-hop also places it squarely in the realm of postmodernism, that hard-to-define and oftentimes harder to understand artistic movement. The word â€Å"postmodern† might be the most succinct aspect of the movement: thematically, at least, postmodernists built directly on modernism, which was most saliently concerned with alienation from the contemporary world. Infamously difficult to define, postmodernism is â€Å"associated with an awareness of societal and cultural transitions after World War II and the rise of mass-mediated consumerist popular culture in the 1960s-1970s† (Irving, â€Å"Postmodernity vs. the Postmodern vs. Postmodernism). As a result, postmodernists are often repurposing works and placing them into new contexts, thereby creating an entirely new work of art themselves. In hip-hop, the most obvious example of this is sampling—or, as defined by the Merriam-Webster dictionary, â€Å"the act of using a small part o f a recording (such as a song) as part of another recording.† On â€Å"It Ain’t Hard to Tell,† for example, Nas samples â€Å"Human Nature,† by Michael Jackson, â€Å"N.T.,† by Kool the Gang, and â€Å"Slow Dance,† by Stanley Clarke. The postmodern elements of hip-hop stretch beyond just the construction of the music, though. Hip-hop is noted for its unflinching depictions of violence: in â€Å"N.Y. State of Mind,† Nas raps, â€Å"Pick the Mac up, told brothers, ‘Back up,’ the Mac spit/Lead was hittin niggas, one ran—I made him backflip/Heard a few chicks scream, my arm shook, couldnt look/Gave another squeeze, heard it click, ‘Yo, my shit is stuck’† (Nas, â€Å"N.Y. State of Mind†). Philosopher Jean-Franà §ois Lyotard’s definition of postmodernism makes it clear that Nas’s realistic, violent lyrics qualify him as a postmodernist poet. Lyotard writes: †¨ The postmodern would be that which, in the modern, puts forward the unpresentable in presentation self; that which denies itself the solace of good forms, the consensus of a taste which would make it possible to share collectively the nostalgia for the unattainable; that which searches for new presentations, not in order to enjoy them but in order to impart a stronger sense of the unpresentable (Lyotard 81) Violence, in this case, is the â€Å"unpresentable.† Certainly Hughes—who is more easily classified as a modernist—did not articulate this extreme sense of violence, and it does not permeate his work like it does Nas’s. Finally, postmodernists are concerned with reinterpreting history and questioning the accepted historical canon. In this regard, Nas mirrors Hughes: they both invoke African history to remind people of forgotten legacies—the former does this on â€Å"I Can,† while the latter does it in â€Å"The Negro Speaks of Rivers.† When examined through the lens of postmodernism, it is easy to see how Nas’s work draws influence, either directly or indirectly, from—and, more importantly, builds on—the work of Hughes. Lassiter links hip-hop and the Harlem Renaissance further: â€Å"members of the Harlem Renaissance, similar to today’s hip-hop generation, rejected the poetic traditions and structures of the ‘old Negro’ who embraced white bourgeois values and morality† (Lassiter, â€Å"From Toasts to Rap†). Like Hughes, Nas never panders to a white audience; instead, he is unapologetically black. In fact, when Nas was first recording Illmatic, he did not even think that he would have a white audience. In an interview with Grantland, his brother, Jabari Jones—also known by his stage name, Jungle—said, â€Å"I thought [the album] would be something cool that only Queensbridge people would like. [†¦] I thought it would be the little Queensbridge crew on TV real fast and then we’d stay in Queensbridge for the rest of our lives† (Golianopoulos, â€Å"QA: Nas’s Brother, Jungle, on Life in Queensbridge and the New Doc ‘Time I s Illmatic’†). In short, like Hughes’s, Nas’s career has remained entirely authentic, and he has never diluted himself in order to appeal to a larger audience; his audience needs to address him on his own terms. This is best evidenced by his use of African-American English Vernacular in his songs (Lister, â€Å"Linguistic Variation in Hip Hop: Variable Use of African American Vernacular English by New York Rappers Jay-Z and Nas†). In his 1979 essay â€Å"If Black English Isnt a Language, Then Tell Me, What Is?,† James Baldwin writes, â€Å"language is also a political instrument, means, and proof of power. It is the most vivid and crucial key to identify: It reveals the private identity, and connects one with, or divorces one from, the larger, public, or communal identity† (Baldwin). This attitude courses through the work of Nas and Hughes: by refusing to give up African-American English Vernacular, they are refusing to surrender and m utate their identities. Hughes and Nas ground their work in local color: although they are both from New York City, they hail from different neighborhoods; the former was a Harlem native, while the latter comes from Queens. They both show affection for their neighborhoods while simultaneously recognizing their drawbacks, usually attributed to the effects of institutionalized racism. Hughes has described this mixture of love and frustration with a characteristically keen observation dense with concrete nouns: â€Å"Melting pot Harlem? Harlem of honey and chocolate and caramel and rum and vinegar and lemon and lime and gall† (Cruse 314). This evocative list functions twofold: Hughes’s food metaphor implies that his contemporaneous Harlem featured a large amount of cultural diversity; it also conjures contrasting tastes and flavors in one’s mind—the sweetness of â€Å"chocolate and caramel† clashes against the sourness of â€Å"vinegar and lemon,† a fitting analogue f or a neighborhood that both inspires and stifles (Cruse 314). Nas holds this same conflicting view of his birthplace. Although many his songs—especially those on Illmatic—are filled with pleasant, nostalgic memories of his childhood, he also addresses the pervasiveness of the violence in the neighborhood. Jabari Jones noted, â€Å"Coming out of Queensbridge, you had all these guys that wanted to be down [to fight], or wanted to extort you or take your chain† (Golianopoulos, â€Å"QA: Nas’s Brother, Jungle, on Life in Queensbridge and the New Doc ‘Time Is Illmatic’†). The negatives aspects of their neighborhoods—the poor housing conditions that Hughes derided in â€Å"The Ballad of the Landlord† and â€Å"Madam and The Rent Man†; the violence that Nas raps about in â€Å"A Queens Story†Ã¢â‚¬â€can be blamed on â€Å"black social isolation† (Shihadeh Flynn 1329). According to Shihadeh and Flynn, â€Å"Because of perpetuating institutional arrangements and individual actions, blacks face considerable difficulty in accessing non-minority neighborhoods [and] the resulting limited contact between blacks and white may isolate many blacks from the rest of society and severely limit their chances for social mobility† (Shihadeh Flynn 1329). They go further, and detail the consequences of black social isolation: it â€Å"combines the weight of poverty, joblessness, welfare dependency, teenage childbearing, and other indicators of social malaise and concentrates them geographically in black neighborhoods† ( Shihadeh Flynn 1329). Black social isolation is one of the root cause of the violence and gang related crime that Nas so frequently centers his music on. In Hughes’s â€Å"Madam and The Rent Man,† black social isolation is also one of the reasons why â€Å"The sink is broke,/The water dont run,/And you aint done a thing/You promised tove done† in the speaker’s house (Hughes). Although it manifests in different ways, Hughes and Nas are writing about the exact same topic: the effect of black social isolation on an urban community. They put their respective urban communities front and center, too, in all of their glory and disappointment. Nas frequently ties together the positive and negative aspects of his neighborhood in one fluid, deft verse. On â€Å"A Queens Story,† he dots his rhymes with specific, localized references—tracing his way through the disenfranchised areas of his youth to the safer, predominantly white areas—rapping: Rastas selling chocolate weed inside of a weed house Colosseum downstairs, gold teeth mouth Astoria warriors, eight street, twin buildings, Vernon, can’t even count the Livingston children. Justice in Ravenswood, nice neighborhood— Caught sleeping out there, be a wrap though. Bridge niggas be up in Petey’s ten racks, yo. (Nas, â€Å"A Queens Story†). Hughes, meanwhile, takes a more metaphorical approach to his writing about his neighborhood. Philip M. Royster analyzes â€Å"Dimout in Harlem† in his essay â€Å"The Poetic Theory and Practice of Langston Hughes,† writing, â€Å"A young black walking down a Harlem street in the silent shadows of evening becomes a collective individual representing and demonstrating the relationships between many young urban black people and their natural and unnatural environments† (8). Hughes is less concerned with pointing out specific locations—thus grounding the reader in a literal geographic sense—than he is with recreating the atmosphere and collective mood of Harlem. In â€Å"Harlem,† his arguably most famous poem, he never mentions the neighborhood—or any location, for that matter—at all. Instead, he lets the title guide the reader, and implies that the neighborhood is full of—and perhaps the cause of—â€Å"dream[s] defer red† (Hughes, â€Å"Harlem†). Those deferred dreams are a common subject in Hughes’s poetry. As Henry Rhodes writes, â€Å"The American Dream holds that if a man is industrious, self-reliant, and talented he can achieve almost anything his heart desires. The Dream posed a dilemma for the Negro writer. If he chose to believe that the American Dream included the Negro, then he would have to believe that an end to discrimination was in the future† (Rhodes, â€Å"The Social Contributions of the Harlem Renaissance†). Hughes wanted to believe in the American Dream—in â€Å"Let America Be America Again,† the speaker yearns for the idealistic promises of American society to become realities, yet knowing in full conscience that the country has always been discriminatory and racist—but he was well-aware of the pervasiveness of institutional racism. Nas expresses the same disillusionment in â€Å"America,† rapping: â€Å"Itâ€℠¢s like waking up from a bad dream/(America)/Just to figure out you wasn’t dreamin’ in the first place† (Nas, â€Å"America†). In the song, Nas goes on to point out the hypocrisy labeling The United States of America as a place where â€Å"all men are created equal† (Jefferson, â€Å"The Declaration of Independence†). Nas is not necessarily a pessimist, though, and he expresses hope more often than Hughes does. According to Raphael Travis, Jr., â€Å"Hip-Hop’s use includes goals of empowerment for individuals and communities, moving from an emphasis on ‘me’ to a simultaneous emphasis on the collective ‘we’† (Travis, Jr., â€Å"â€Å"Rap Music and the Empowerment of Today’s Youth: Evidence in Everyday Music Listening, Music Therapy, and Commercial Rap Music†). This sense of encouragement has been especially prevalent in the latter half of his career. The entire concept behind â€Å"I Can† was designed to motivate children, with a chorus that reads, â€Å"I know I can/Be what I wanna be/If I work hard at it/Ill be where I wanna be† sung by a group of kids (Nas, â€Å"I Can†). Nas opens his first verse with an inspirational set of bars: Be, B-Boys and girls, listen up: You can be anything in the world, in God we trust. An a rchitect, doctor, maybe an actress, But nothing comes easy it takes much practice (Nas, â€Å"I Can†). These same sentiments can be found in Hughes’s work, but in a more opaque, abstract way—after all, if there was no hope whatsoever, write write â€Å"Let America Be America Again†? Ultimately, both artists ask their readers to strive toward excellence, to change the system as a self-motivated individual. Gabbin asserts that, â€Å"From the earliest attempts of African American poets in the eighteenth century to express lyrically their adjustment to existence in a society that debated their humanity to their intense exploration of their voice in the waning years of a racially charged twentieth century, they have built an aesthetic tradition that affirms them† (Gabbin, â€Å"Furious Flower: African-American Poetry, An Overview†). One aspect of African-American culture that glues this aesthetic tradition together is religion—Christianity, in particular. The church served many purposes: it is â€Å"a place to create a self-identity, a place of self-discovery, and a sanctuary from racial oppression† (Lambert 303). Many of Nas’s songs and Hughes’s poems reflect this; some, however, express doubt, letting the desolation of racist America seep into normally hopeful confines of the church. The latter half of Nas’s career has featured a more positive view on Christianity—he famously got â€Å"God’s Son† tattooed across his stomach near the turn of the twenty-first century—but on â€Å"Live at the Barbecue,† one of the first tracks he ever recorded, he raps, â€Å"When I was twelve, I went to Hell for snuffing Jesus† (Nas, â€Å"Live at the Barbecue). On â€Å"Represent,† he does not employ hyperbole, but is more forthright: â€Å"Won’t even run about Gods/I don’t believe in none of that shit, your facts are backwards† (Nas, â€Å"Represent†). While these songs demonstrate a flat-out rejection of Christian hope, Hughesâ€℠¢s â€Å"Song for a Dark Girl† expresses more of a despair and disappointment. In the second stanza, the speaker wonders about the efficacy of prayer in a religion that is just as whitewashed as her discriminatory country, saying, â€Å"I asked the white Lord Jesus/What was the use of prayer† (Hughes, â€Å"Song for a Dark Girl†). In different ways, both artists show how the Christian church can simultaneously be a beacon of hope for the African-American community—a lynchpin uniting people—and another reminder of harsh American realities. As a whole, Nas’s work can be viewed as a postmodernist expansion on Hughes’s modernist poetry: the former builds on the pervasive theme of alienation in the latter’s writing by presenting the unpresentable violence of African-American urban life. Hughes wrote in broader strokes, using concrete images to metaphorize the plight of African-Americans in the first half of the twentieth century; Nas, on the surface, has a more narrow focus, honing in on the locations of his youth to represent the general struggles of city life—he makes the specific universal. They share more similarities than differences, though, and ultimately write with the same goal in mind: chronicling the effects of institutional racism on their communities. Works Cited Baldwin, James. If Black English Isnt a Language, Then Tell Me, What Is? New York Times. N.p., 29 July 1979. Web.Cruse, Harold. The Crisis of the Negro Intellectual. New York: Morrow, 1967. Print.Gabbin, Joanne V. Furious Flower: African American Poetry, An Overviewby Joanne V. Gabbin. Furious Flower: African American Poetry, An Overviewby Joanne V. Gabbin. N.p., n.d. Web. 08 May 2016.Golianopolos, Thomas. QA: Nass Brother, Jungle, on Life in Queensbridge and the New Doc Time Is Illmatic' Grantland. N.p., 2014. Web. 08 May 2016.Hughes, Langston. The Collected Poems of Langston Hughes. New York: Knopf, 1994. Print.Irvine, Martin. The Po-Mo Page: Postmodern to Post-postmodern. The Po-Mo Page: Postmodern to Post-postmodern. N.p., 2013. Web. 08 May 2016.Jefferson, Thomas. The Declaration of Independence: Full Text. Ushistory.org. Independence Hall Association, n.d. Web. 08 May 2016.Lambert, J. Eve. Christianity, Community, and African American Theater. The Journal of African American His tory 100.2 (2015): 301. Web.Lassiter, F. L. From Toasts to Raps: New Approaches for Teaching the Harlem Renaissance. Pedagogy Critical Approaches to Teaching Literature Language Composition and Culture 15.2 (2015): 374-77. Web.Lister, Lewis. Linguistic Variation in Hip Hop: Variable Use of African American Vernacular English by New York Rappers Jay-Z and Nas by Lewis Lister. Genius. N.p., n.d. Web. 08 May 2016.Lyotard, Jean-Franà §ois. The Postmodern Condition: A Report on Knowledge. Minneapolis: U of Minnesota, 1984. Print.Nas. Nas – Halftime. Genius. N.p., n.d. Web. 08 May 2016.Nas. Nas – It Aint Hard to Tell. Genius. N.p., n.d. Web. 08 May 2016.Nas. Nas – Represent. Genius. N.p., n.d. Web. 08 May 2016.Nas. Nas – N.Y. State of Mind. Genius. N.p., n.d. Web. 08 May 2016.Nas. Nas – A Queens Story. Genius. N.p., n.d. Web. 08 May 2016.Nas. Nas – America. Genius. N.p., n.d. Web. 08 May 2016.Nas. Nas – I Can. Genius. N.p., n.d. Web. 08 Ma y 2016.Nas. Live at the Barbecue. Genius. N.p., n.d. Web. 08 May 2016.Rhodes, Henry. 78.02.08: The Social Contributions of The Harlem Renaissance. 78.02.08: The Social Contributions of The Harlem Renaissance. N.p., 2016. Web. 08 May 2016.Roster, Phillip A. E Poetic Eory and Practice of Langston Hughes. Loyola University Chicago Loyola ECommons. N.p., n.d. Web. 1974.Saucier, P. Khalil, and Tryon P. Woods. Hip Hop Studies in Black. Journal of Popular Music Studies 26.2-3 (2014): 268-94. Web.Shihadeh, Edward, and Nicole Flynn. Errata: Segregation and Crime: The Effect of Black Social Isolation on the Rates of Black Urban Violence. Social Forces 75.1 (1996): 398. Web.Travis, Raphael. Rap Music and the Empowerment of Today’s Youth: Evidence in Everyday Music Listening, Music Therapy, and Commercial Rap Music. Child and Adolescent Social Work Journal Child Adolesc Soc Work J 30.2 (2012): 139-67. Web.

Solutions to Global Warming Essay - 1480 Words

Climatic warming, or what some call global warming, began thousands of years ago. This climatic warming occurs because of natural climate cycles that the earth has to go through in order to have a stable climate condition. Global heating and global cooling are nothing new today. There were Ice Ages when most of the world was covered in glaciers and hot steamy times that allowed animals that now live in the tropics to live in almost any continent known today. A major change in climatic warming began at the beginning of the Industrialization Era since then â€Å"people have been adding extra carbon dioxide to the atmosphere.† (http://online.nwf.org/site/PageNavigator/ClimateClassroom/cc_kids_question3) (2007) As a result, the earth’s temperature†¦show more content†¦The green-house effect happens when the gases in our atmosphere, such as methane, carbon dioxide, and water vapor, trap the heat they re-emit the heat back to earth making it hotter. As a result of th e massive burning of fossil fuels the more and more gases that get trapped in our atmosphere the heat that is retained here on earth is becoming grater and grater leaving us with hotter temperatures. While some green-house effect is necessary to keep our earth warm, the exaggerated burning of fossil fuels and their exhaust gases being released into the atmosphere the green-house effect has been turned into one of the main causes of global warming. The causes of green-house effect have great impacts on our climate and on other aspects. The green-house effect is the main reason why icebergs are disappearing and the sea levels are rising. As a result of the sea level rise the currents can be altered due the mixing of fresh water, that the iceberg is made of, and salt water leading to desalinization that can change the earth’s climate. The signs that climate warming has been changing our climate and surroundings are more evident today than they were years before. The Portage Glacier, one of Alaska’s most famous glaciers, has greatly decreased in size. Since 1950 up to 2002 the glacier’s mass has decreased do much that it is nearly out of sight.Show MoreRelatedA Solution to Global Warming 1037 Words   |  5 Pagesbut have also helped to cause global warming. The emission of carbon dioxide from these machines in the atmosphere causes global warming. Global warming, defined by Oxford dictionary is a gradual increase in the overall temperature of the earths atmosphere generally attributed to the greenhouse effect caused by increased levels of carbon dioxide, chlorofluorocarbons, and other pollutants (â€Å"Definition of global†¦.†). There are several creative ideas to stop global warming and some of them have promisesRead MoreSimple Solutions to Global Warming1552 Words   |  7 PagesSimpl e Solutions to Global Warming Linda Hunt ITT Technical Institute Simple Solutions to Global Warming The most prominent concern that affects the environmental health of the world today is global warming. Although government agencies are making significant strides in providing solutions to global warming, the ultimate solution may lay in the hands of the individual citizens. Simple things, such as the way electricity is used in homes, the production of waste, and the choice of transportationRead More Solutions to Global Warming Essay1503 Words   |  7 Pagesco-workers. There have even been movies made about it. The â€Å"it† is global warming. â€Å"Global warming refers to the global-average temperature increase that has been observed over the last one hundred years or more† (Spencer). Some experts argue that global warming is a result of human activities, while others believe the warming and cooling of the Earth’s atmosphere is a natural cycle. Supporters of human induced global warming stress that since the Industrial Revolution we have released excess iveRead More Solutions to Global Warming Essay687 Words   |  3 PagesSolutions to Global Warming There are many solutions to reduce the amount of green house gases in the atmosphere, which causes Global Warming. A main culprit for global warming is the use of CFCs (chlorofluorocarbons). If the use of CFCs was reduced, the number of greenhouse gases will be reduced by a great deal (however there are many other thing that cause dramatic amounts of greenhouse gases including carbon dioxide and nitrous oxide). The items that contain Read MoreProblem and Solution of Global Warming1936 Words   |  8 PagesGlobal warming is the observed increase in the average temperature of the Earths atmosphere and oceans. Higher temperatures threaten dangerous consequences: drought, disease, floods, and lost ecosystems. From sweltering heat to rising seas, global warmings effects have already begun. Many people still believe that since the earth is so big, human beings cannot possibly have any major impact on the way the planet operates. The truth is we have grown so numerous and our technologies have become soRead MoreGlobal Warming : A Potential Solution1330 Words   |  6 PagesBioremediation: A potential solution to reduce our footprint Industrialized societies are now tormented by several pollution problems that were largely unknown prior to WWII. Prominent among these problems is environmental pollution of xenobiotic synthetic chemicals that fail to be recycled by microorganism and may be biomagnified with destructive effects. Also, deforestation, land conversion, overhunting and the burning of fossil fuels are other human’s activities that impact negatively our ecosystemRead MoreGlobal Warming : A Simple Solution1876 Words   |  8 PagesGlobal Warming: A Simple Solution In 2015, for my Composition 1 Class, I wrote an essay called Global Warming: The Solution in Our Hands. There, I made a revision on the global warming, causes, and solutions. One of the solutions reviewed was capturing CO2 and its storage, for a long period of time, through industrial plants, underground geological formations, oceans, or other materials in Antarctica. An industrial response can contribute to a great solution. However, years later, I understand thatRead MoreIs Biofuel Not The Solution? Global Warming?1257 Words   |  6 PagesBiofuel is not the Solution to Global Warming Biofuel has been recognized as one of the most effective alternative energy to help reduce global warming effect. But, according to the research, biofuels actually do the opposite way. We as human beings, only see good sides of biofuel energy as a complete way to change current situation and give it too much hope, which blinds our eyes to perceive the danger. What we really do is to minimize the impact and think of other solutions. Biofuels are desirableRead MoreProblems and Solutions to Catastrophic Global Warming1025 Words   |  5 PagesProblems and Solutions to Catastrophic Global Warming Global warming is becoming a major problem for our environment. Global warming is causing the atmosphere to become warmer which causes many problems for the environment. Carbon dioxide in the atmosphere allows sunlight to pass through, but it traps heat from escaping. This causes the earth to warm which keeps the earth from becoming a ball of frozen ice, but excess carbon dioxide causes global warming, which will affect the environment. ThereRead More Solutions to Global Warming Essay example597 Words   |  3 PagesSolutions to Global Warming Scientists report that global warming has been escalating since the Industrial Revolution. Governments are trying to reduce carbon-dioxide emissions. With the speed of destruction of Earth?fs ecosystem, the survival of many species, including human beings, is threatened. In order to solve this danger, we have to reduce the consumption of energy and use the alternative energy resources. If we calculate the present energy price, alternative energy must be more expensive

How Mark Morris Changed Dance Essay - 1213 Words

Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance. Mark Morris was†¦show more content†¦The piece was inspired by earlier works by George Balanchine and Merce Cunningham whom Morris claims are the choreographers that have most influenced him. Morris has become so well respected in his field that he was tasked with planning the ceremonies for the funeral of opera legend Lorraine Hunt Lieberson, with whom he had worked with many times and had a friendly relationship. He is seen today as one of the most enduring forces in modern dance choreography, having pioneered for decades. One of his most well-known works Gloria has been performed, with adaptation, since 1981. He has also had the distinction of performing to the playing of world renowned cellist Yo-Yo Ma on numerous occasions, with Ma remarking that â€Å"Mark always manages to put the perfect movement to even my extemporaneous flourishes.† His work on preparing for the funeral of Lorraine Hunt Lieberson, and his international performances have made him recognizable around the globe. Having choreographed and or conducted (along with other recognizable choreographers) special performances for dignitaries such as 3 sitting US presidents, the Emperor of Japan, the Queen of England and a Premier of the Soviet Union has enlarged his admirers to superstar levels. Mark Morris managed to become a successful dancer in spite of several obstacles, though his parents were very supportive Morris’ body was atypical for a dancer. By his own description inShow MoreRelatedEssay about dance5531 Words   |  23 Pagesï » ¿Dance 10: Quiz 1-5 Part 1 of 1  Ã‚  Multiple Choice/True False  Ã‚  Ã‚  Ã‚  Ã‚  Score:  50  Ã‚  Ã‚  (of possible 50 points) (ADDIONAL) Question 1 of 25  Ã‚  Ã‚  Ã‚  Ã‚  Score:  2  Ã‚  Ã‚  (of possible 2 points) The French court ballet reached its height during the reign of Louis XIV, whose very birth had been celebrated by the _______________ of 1639. A. Ballet de la Fà ©licità © B. Ballet de la coutisane appelà © C. Ballet de Madame D. Ballet de la Dà ©liverance de Renaud ANS:A The dancers in the earliest ballets were highly skilledRead MoreTeaching Assistant Level 2 (Assignment 3)6057 Words   |  25 Pagesand emotions in an imaginative way through assorted mediums and various forms of self-expression. Children explore as wide a range of stimulus as it is possible to provide given the resources available. They take part in art, craft, design, music, dance, theatre and movement activities. They have the opportunity to role play; to compose music or poetry; to develop their creative writing skills. They are encouraged to experiment with artistic mediums and represent their own feelings through their creativityRead MoreSwot Analysis25582 Words   |  103 Pagescompany purchased the Australian operation, and the company Cooper Engineering Co. (CEC) was born. Seven years later, in 1921, the introduction of the Sunbeam brand reflected CEC’s core business shift to electrical appliances. After World War II, CEC changed its company name to Sunbeam Corporation and it introduced the slogan ‘Best Electric Appliance Made’. The first Australian appliance, the Sunbeam mixmaster, was launched. Despite the fact that it cost more than an average Australian’s monthly wage Read MoreSociology Essay20437 Words   |  82 Pagesresponse of approximately 400 words each (using sentences and paragraphs). You are advised to read page 14 of this document and to consult the general mark scheme on pages 15 and 16 before attempting to answer them. Assignment 1 (a) Explain what is meant by the term ‘expressive role’. (2 marks) Note that the question is worth two marks, so only a short explanation of approximately one to two sentences is required. Refer to pages 24–25 in Unit 1.2 as well as textbook, pages 59–60. The termRead MoreTop Ten Advertising Agency in India11316 Words   |  46 PagesTop Te‘Advertising’ is a medium meant to propagate ideas to people using any means of communication. 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Spear, into militancy led to the rise of the  militia movement, which spread its  anti-government  ideology through speeches at rallies and meetings, through books and videotapes sold at  gun shows, through shortwave and satelliteRead MoreStarbucks Entry to China10678 Words   |  43 Pagesstores in Hong Kong between 2000 and 2002.1 At the opening Pedro Man, president of Starbucks Coffee Asia Pacific Ltd., the Asian division of Starbucks Coffee International said: As we celebrate the opening of our first store in Southern China today, we mark yet another key milestone in the history and tradition of more than 30 years at Starbucks. The heart of the Starbucks brand lies in two very important cornerstones our coffee and our people. 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Conference of Yalta free essay sample

Written Statement The Yalta Conference, by Komar and Melamid This piece was painted in 1982, its style being oil on canvas. Komar and Melamid were two artists that formed part of the Official Artists Union that decided to expose some of their underground art in 1974. This painting depicts two men, a male body with an extraterrestrial head, and a circus-like canopy in the background. The people showed in this work are Roosevelt, the President of the United States at the time on the right (hidden by an alien face), Hitler in the middle, leader of the Nazi Germany (who was dead at the time), and Stalin, leader of the Soviet Union, on the right. The reason they were united was because of a Conference that took place. The Yalta Conference, in 1945, was a meeting between Stalin, Roosevelt, and Winston Churchill (Prime Minister of England) in order to establish Europes new boundaries after World War II. We will write a custom essay sample on Conference of Yalta or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The message this piece intends to convey is that many people think Stalin tricked Roosevelt into allowing the Soviet Union to control the countries of Eastern Europe. Although Hitler was not alive at the time, he appears instead of Churchill. Hitler can be seen with a silencing pose, with one finger over his mouth, hushing us to emphasize the secrecy of the meeting. Roosevelt owns an extraterrestrial head symbolizing that he was not part of the European world and did not understand Stalins craft and underhandedness. Stalin appears serious, staring at the viewer with intimidating eyes. Corruption and mischief can be felt in that environment. Our interpretation is not very different to what is really conveyed. Hitler and Stalin s faces inspire mischief and bad vibrations. Corruption is easily spotted and the outsider position of Roosevelt is interesting. The creativity and thought put into replacing his head with an aliens is admirable, and in our opinion is the highlight of the painting. The circus like canopy in the back resembles people being fooled as in circuses, in this case Roosevelt. Hitlers face is not fully exposed, a shadow covers his left part of the face. His silencing pose automatically inspires us to think negatively about his intentions. Conference of Yalta By abhirhathi